Fiona matheson: "The process is as exciting as the outcome"
Croft houses appear regularly on her paintings, a reference to life in Strathcarron and Culrain when she was younger.
KC: Why landscape?
FM: The textures, colours and form of the Highland landscape are always changing. It supplies endless inspiration not only on a daily basis but hourly, as the weather and light create a natural masterpiece which is always just out of reach. That's what makes me want to go back for more.
KC: Where do you get your inspiration?
FM:My work is materials led. Experimental mark making and creative use of materials is something I have learnt from training as a textile designer. To combine this approach with the imagery of our surroundings can be unpredictable and challenging.
KC: Who are your biggest influences?
FM:I am always looking out for visual elements that interest me. Whether it be a contemporary artwork or a piece I saw as a student, fragments of great works build in your subconscious like a mental sketchbook. Willem de Kooning, Joan Eardley, Mark Rothko... to name a few.
KC: Do you have a favourite spot in the Kyle of Sutherland?
FM: I like this question as it brings me back to several favourite places. A reminder that I need to visit them again. Strathcarron's Whale cottage, is there any roof left? Croick Church where I got married and so often went on an annual pilgrimage to sign the visitors book. River Carron and specifically the "Washer woman". The views of Loch Migdale from the golf course.
